Brooklyn, NY— Ghada Amer: Love Has No End, the first U.S. survey of the renowned artist’s work, featured some fifty pieces from every aspect of Amer’s career as a painter, sculptor, illustrator, performer, garden designer, and installation artist. These included the iconic Barbie Loves Ken, Ken Loves Barbie (1995/2002), The Reign of Terror (2005), and Big Black Kansas City Painting—RFGA (2005), as well as a generous selection of works never before exhibited in the US. Also included were several works produced with Reza Farkhondeh, Amer’s partner.
Ghada Amer, Red Diagonales, 2000, Acrylic, embroidery and gel medium on canvas, 72 x 72 in. (182.9 x 182.9 cm), Collection of Yoko Ono, New York
© MAURA REILLY 2017